Dillard Chandler was a legendary balladeer from Madison County, North Carolina, and was recorded by John Cohen in the early 1960s. It appeared on their debut album in 1967, and the Dead continued to perform it throughout the rest of their career. This traditional song has stuck with the Grateful Dead from the beginning. Originally recorded by the Mississippi Sheiks in 1930, this version, performed by influential guitarist Doc Watson, is from 1961.Ģ. The Grateful Dead’s version of this traditional tune was the first single on their debut, self-titled album, released in 1967. “Sitting on Top of the World” – Doc Watson Charlie), Only Love Can Fill (Comes a Time), Saturday Night (One More Saturday Night).1. Here’s the list: Gone Are The Days (Brown Eyed Women), I Wash My Hands (I Washed My Hands In Muddy Water), We Can Share (Jack Straw), Tennessee (Tennessee Jed), Mr. It’s also curious how so many song titles on this bootleg are wrong – it’s actually incredible. The album also includes songs from the 2 nd set including Comes a Time, One More Saturday Night and Mexicali Blues. The show was the 2 nd night of a 4 night run and includes an uninterrupted sequence of songs from mid-first set, starting with Brown Eyed Woman and going through I Washed My Hands In Muddy Water, Jack Straw, Mr. The first of three unofficial Dead releases in 1975 was Grateful Dead/Live, which covered a powerhouse show and FM broadcast from Felt Forum in New York on December 5 th, 1971. Future articles on Thirsty Vinyl will cover complete lists of Grateful Dead LP vinyl releases from the 80s, 90s and 2000s to today. This article covers the complete list of unofficial releases on LP spanning the 1960s and 70s, starting with the first unofficial release in 1969 titled, By The Time We Got to Woodstock by Dark Star Productions, and the last in 1979 titled, Out Takes. For that reason, I found it better to approach this topic in digestible chunks. The actual number of unofficial Grateful Dead releases on vinyl is debatable, but the total count is likely close to 200 and still growing. and abroad to produce bootlegged vinyl under colorful record labels like, Magic Bus Records, which were often littered with misspellings, incorrect song titles, varied sound quality and the like. The relatively sparse live recordings officially released by the Grateful Dead left it up to fans and profiteers in the U.S. It’s also undeniable that live Dead shows provided a unique musical experience that were meant to be captured and circulated, and since the band didn’t put out tons of “official” live releases, at least not originally considering only three were produced between 19 (Live/Dead in ’69, Grateful Dead/aka Skull and Roses in ’71, Europe ’72 in ’72), it was up to unauthorized sources to pick up the slack. law until 1994 when the Uruguay Round Agreements Act passed. The band even had a meeting where they decided to let the bootlegging continue – check out this interview with Mickey Hart to learn more, and while it probably wouldn’t have mattered, bootlegs actually weren’t prohibited by U.S. The Dead were pioneers in promoting free music and had full time followers, tapers and soundboard magicians, like Betty and Bear, which meant lots of recordings of their live shows were out there spanning decades. Contributing factors varied and were plentiful. Only a band like the Grateful Dead could have such a long and rich history of bootlegs on vinyl.
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